Everyday Imagery
A place for images I’m always taking. No specific project, just me at the moment.
A place for images I’m always taking. No specific project, just me at the moment.
Big Hearts Bleed More (2026)
I edited this video for Amy Leung’s exhibition of the same name, working with her footage and a brief built around care and memory. The edit opens with horizons and distant figures, moves through car journeys into closer, quieter scenes with people, then gets denser and faster through movement and night before stripping back to a simple image that echoes the start. I worked on the framing, crops, layering and pacing. It was shown as part of a larger installation on a CRT monitor.
dog has cancer and my house is on fire (2026)
A one-minute film made in March 2026. It cuts between two spaces: me in my room making a notebook by hand, and my house on fire, with belongings thrown out of the window and smoke rising from the roof. The film won a partial scholarship to Elisava in Barcelona.
A one-minute film made in March 2026. It cuts between two spaces: me in my room making a notebook by hand, and my house on fire, with belongings thrown out of the window and smoke rising from the roof. The film won a partial scholarship to Elisava in Barcelona.
In-Use Archive
In-Use is a collaborative project exploring Scottish object biographies through documentary storytelling. For this project I worked closely with Graphic Designer Megan Waterston. I focused on how everyday objects reveal layered histories, from their making and circulation to the personal and cultural meanings they gather over time.
The project combines still photography, video interviews and editorial design to document these narratives. We approached the work as both filmmakers and editors, shaping interviews and field recordings into a publication that sits between archive and essay. Our process was grounded in careful listening and observation: recording conversations, photographing objects in context and mapping connections between material culture and lived experience.
The project combines still photography, video interviews and editorial design to document these narratives. We approached the work as both filmmakers and editors, shaping interviews and field recordings into a publication that sits between archive and essay. Our process was grounded in careful listening and observation: recording conversations, photographing objects in context and mapping connections between material culture and lived experience.
Doo Flying
Pigeon keeping and community in Glasgow
Pigeon keeping and community in Glasgow
The Dookit is a pigeon supply shop in Glasgow’s East End, run by Alan Ingram. Part retail, part meeting space, it functions as a social hub for a small but tightly connected group of fanciers. Many visit weekly for feed, medication, and conversation — keeping the shop alive as much as it keeps the birds alive.
